5.1 KiB
LSP mb_compressor_stereo — parameter reference
Every key in the multiband_compressor node of graph.json, with the
LSP port name in bold and the JSON symbol in code. Values shown are the
ones currently in the graph (8-band split, split-limiting branch).
Source of truth: mb_compressor_stereo.ttl from lsp-plugins 25.08.
Global (once, not per band)
| Key | LSP name | Value | Meaning |
|---|---|---|---|
enabled |
Enabled | 1 | plugin active |
mode |
Compressor mode | 1 = Modern | band-split topology. 0 Classic = analog-style tree of crossovers; 1 Modern = flat per-band summation (cleaner, used here); 2 Linear Phase = FIR, high latency |
g_in / g_out |
Input / Output gain | 1.0 / 1.4 | linear. g_out 1.4 ≈ +3 dB — where the EQ's g_in 0.5 pad is restored, after the band detectors |
g_dry / g_wet |
Dry / Wet gain | 0.0001 / 1.0 | parallel mix — effectively 100 % wet |
Crossover (index 1–7)
| Key | LSP name | Meaning |
|---|---|---|
cbe_N |
Compression band enable N | turns split point N on → creates that band boundary. All 7 = 1 → 8 bands |
sf_N |
Split frequency N (Hz) | the crossover frequency. Currently 60 / 80 / 100 / 130 / 160 / 200 / 500 |
Per band (index 0–7)
| Key | LSP name | Units | Meaning |
|---|---|---|---|
ce_N |
Compressor enable N | toggle | band compresses (0 = passes flat) |
al_N |
Attack threshold N | linear gain (0.001–1.0) | the threshold — level above this is compressed. dB = 20·log₁₀(g); 0.093 ≈ −21 dB |
at_N |
Attack time N | ms | how fast gain reduction engages once over threshold |
rt_N |
Release time N | ms | how fast gain recovers once back under threshold |
cr_N |
Ratio N | x:1 (1–100) | dB in per dB out above threshold. 1 = off, 2 = gentle, 50 ≈ brick-wall limiter |
kn_N |
Knee N | linear gain (0.063–1.0) | width of the soft transition around the threshold. 1.0 = hard corner; lower = wider / softer (0.063 ≈ ±24 dB — ratio ramps in over a huge range). Plugin default 0.5 (−6 dB) |
mk_N |
Makeup gain N | linear (0.001–1000) | post-compression level trim for the band. 1.5 ≈ +3.5 dB, 2.0 = +6 dB |
scm_N |
Sidechain mode N | enum | detector: 0 = Peak, 1 RMS, 2 LPF, 3 SMA. Peak is used on every band (right for limiting; plugin default is RMS) |
bth_N |
Boost threshold N | linear gain (1e-6–1e-3) | only used when band compression mode = Up / Boost. Inert here — see note below |
bsa_N |
Boost signal amount N | linear gain (2.5e-4–3981) | ditto — inert |
Other per-band ports exist in the plugin but are left at default and not written
to the graph: cm_N (compression mode: Down/Up/Boost — default Down),
bs_N/bm_N (band solo/mute), rrl_N/rl_N (release threshold/level — 0 =
track the attack threshold), and the sc*_N sidechain family
(sce_/scs_/sscs_/sla_/scr_/scp_/sclc_…).
Current bands, in plain English
| Band | Range | al (thr) |
at / rt |
cr |
kn |
mk |
reads as |
|---|---|---|---|---|---|---|---|
| 0 | < 60 Hz | 0.093 (−21 dB) | 2 / 120 ms | 50 | 0.10 (−20 dB) | 1.5 (+3.5 dB) | fast brick-wall; near-empty behind the 60 Hz EQ high-pass |
| 1 | 60–80 Hz | 0.078 (−22 dB) | 5 / 120 ms | 50 | 0.06 (−24 dB, clamped) | 1.5 (+3.5 dB) | lowest ceiling, 50:1, softest knee → heavy but gradual |
| 2 | 80–100 Hz | 0.095 (−20 dB) | 6 / 130 ms | 30 | 0.12 (−18 dB) | 1.7 (+4.6 dB) | one notch gentler than band 1 |
| 3 | 100–130 Hz | 0.120 (−18 dB) | 8 / 150 ms | 20 | 0.20 (−14 dB) | 2.0 (+6 dB) | old "90–200" midbass character |
| 4 | 130–160 Hz | 0.130 (−18 dB) | 8 / 150 ms | 18 | 0.24 (−12 dB) | 2.0 (+6 dB) | " |
| 5 | 160–200 Hz | 0.140 (−17 dB) | 9 / 150 ms | 16 | 0.28 (−11 dB) | 2.0 (+6 dB) | eases toward the body band |
| 6 | 200–500 Hz | 0.159 (−16 dB) | 10 / 150 ms | 15 | 0.30 (−10 dB) | 2.0 (+6 dB) | low-mid body (snare / male vocal) |
| 7 | 500 Hz+ | 0.284 (−11 dB) | 8 / 150 ms | 5 | 0.40 (−8 dB) | 1.3 (+2.3 dB) | single gentle catch-all above 500 Hz |
Notes / gotchas
-
Knee direction. Lower
kn= wider / softer knee, not harder.kn_1 = 0.06on the 60–80 Hz band is the softest the plugin allows (it clamps0.06→0.063). That band still pulls peaks down hard because of the low threshold- 50:1 ratio; the wide knee just means the ratio ramps in gradually starting
well below −22 dB (so there is some low-level gain reduction too). To clamp
those octaves only near the ceiling and keep them cleaner below it, raise
kn_1/kn_2toward0.3–0.5.
- 50:1 ratio; the wide knee just means the ratio ramps in gradually starting
well below −22 dB (so there is some low-level gain reduction too). To clamp
those octaves only near the ceiling and keep them cleaner below it, raise
-
bth_N/bsa_Nare dead config. Set to1.0in the graph (inherited from upstream) but their valid ranges are ~1e-6–1e-3and2.5e-4–3981— the host clamps them. They only apply to upward / boost compression, which is not enabled (cm_Nis never set, so every band is downward), so it is harmless. -
al_Nis linear, not dB. Same forkn_N,mk_N,g_*. Convert withdB = 20·log₁₀(value).